MFFF MOVIE REVIEW: QUAI D'ORSAY



* * *


When young graduate Arthur steps into the headquarters of Foreign minister office he did not quite expect the chaos and the grandeur of the place. He is not quite sure if he wants the job, but “the king of the castle”, foreign minister Alexandre Taillard (Thierry Lhermitte) does not leave him much of a choice. In a place overloaded with rules and procedures, most of the time irrelevant, what does it take to have the job done?


QUAI D’ORSAY is a French version of English YES, MINISTER and based on the popular comic book. This dialogue oriented movie feels more like a full length sitcom episode than a feature film. The palace QUAI D’ORSAY shown as a cosy mess inhabited with likable characters, the most colourful of them is the minister himself. Thierry Lermitte portrays him as a slamming door,  bursting with energy, short fused man, who is never at fault - surely many viewers will recognise in his behaviour their own boss right there.


With many dramatic and hilarious situations the dialogue is so swift that may be hard to follow for non French speakers. There’s no villain in the story, and no ending - you almost expect to see “to be continued” line after the credits roll. With none of the character story arcs resolved it is hard to say the QUAI D’ORSAY is a satisfactory viewing, however while you are watching, it is a very enjoyable piece.

Comments

Post a Comment

Popular posts from this blog

KOREAN MOVIE REVIEW: MEMOIR OF A MURDERER

Image
8/10 Byung-su is an elderly veterinarian who has recently been diagnosed with Alzheimer’s. He has a caring daughter who does all she can to make his life easier, and a policemen friend whose name Byung-su forgets from time to time. He also goes to a poetry club (in order to keep his mind exercised) where a lonely widow makes advances at him. But there’s one thing that sets Byung-su apart from the other senior citizens of his little town – he is a serial killer.  When a new wave of killings begin Byung-su starts to suspect that a young man who is dating his daughter is the culprit. Trying to keep the remains of his memories together Byung-su writes extensive journals. But what if his memories are actually real? Losing his grip on reality he goes head to head with the new serial killer in order to protect the only life he cares about in the world – his daughter’s. Before Dexter came around Koreans had excelled in creating charismatic killers as protagonists of the f...
Read more

We'll End Up Together - Nous Finirons Ensemble (French Movie Review)

Image
10/10 Max has a sixtieth birthday coming up. The problem is he is broke, divorced and depressed. When a group of his best friends show up at his doorstep to help him celebrate, he reluctantly agrees to spend a few days with them, but won’t explain what’s going on in his personal life. When ones darkest moments come, will friendship conquer all? Seven years after the breakout success of the film Little White Lies (Les Petits Mouchoirs) comes the long anticipated sequel and it is worth the wait. The success of WE’LL END UP TOGETHER is not in its rather predictable plot, but the chemistry on screen, the characters that we recognise ourselves and our friends in, and the amazing warm atmosphere that makes one believe there’s no problem a good dinner with friends won’t sort out.  Written and directed by much loved French actor and director  Guillaume Canet this movie feels like a welcome return home to those who have seen the original and will also welcome new viewership - t...
Read more

MSFF: DEATH IN BUENOS AIRES (MUERTE EN BUENOS AIRES)

Image
3 1/2 /5 It's year 1980 and we are in Buenos Aires. The wealthy gay man is murdered  and inspector Chaves is on the case. In order to find the culprit he has to plunge into the world of gay nightclubs, drugs and sex. But what is it with the young and handsome officer Gomes, who was the first on the crime scene, and seems to place himself with ease as a mole into a gay community? Is he trying to catch the killer? Or hiding something? As suspicions arise, Chaves is haunted by the feelings he does not understand. Will the fatal attraction to a younger man help him to solve the case, or be his undoing? First time director Natalie Meta is "spot on" on the upbeat atmosphere of the 80s without too much expense. She cleverly uses the pop tunes, over-the-top clothes and many other ingredients to recreate the time. The murder mystery is secondary, and the movie is focused on the relationship between the two men, full of innuendoes and mistrust. The very simple cinema...
Read more