MOVIE REVIEW: X-MEN APOCALYPSE




7/10


Tightly stitched into X-men franchise reboot that began in 2011 with the FIRST CLASS, Apocalypse continues the origin story of X-men, introducing the classic characters such as Cyclop, Storm and Jean Grey. The film’s trump card is being still a period piece. But fantasy sequences just don’t belong in it.

Welcome to 1983 where the uncanny being called Apocalypse, the very first mutant, awakens to rule the world. The film opens with an impressive Egyptian set piece, that does not quite fit to the carefully designed world of previous films, and the villain himself, Apocalypse, is  an alien presence here, as if he had stepped into it from another story.

The film was criticized for being overloaded with action, but in my opinion it took things very slowly, explaining the reasons for every character’s choice. The final battle is impressive, but as generic as the finale of Batman Vs Superman.

On the acting front everyone has done a great job, but Jennifer Lawrence as Mystique is no different from her character in Hunger Games – she is still a tough idol for the young and will not hesitate to take on the government or the world.

Michael Fassbinder delivers a well fleshed out Magneto, however I could not believe his character’s choices towards the end of the film.

The movie looks great in 3D, also it was not shot this way and 3D conversion had been used.


X-MEN  Apocalypse is one of this films that has many elements that work great on its own, but just don’t quite fit together. However it is worth the look for one fantastic sequence featuring Quicksilver and the unexpected appearance of one old friend.

The least original and exciting X-MEN film since FIRST CLASS, APOCALYPSE is still an descent addition to the universe and develops further the world I learned to love, however I would need a much better story next time around.

Comments

Post a Comment

Popular posts from this blog

KOREAN MOVIE REVIEW: MEMOIR OF A MURDERER

Image
8/10 Byung-su is an elderly veterinarian who has recently been diagnosed with Alzheimer’s. He has a caring daughter who does all she can to make his life easier, and a policemen friend whose name Byung-su forgets from time to time. He also goes to a poetry club (in order to keep his mind exercised) where a lonely widow makes advances at him. But there’s one thing that sets Byung-su apart from the other senior citizens of his little town – he is a serial killer.  When a new wave of killings begin Byung-su starts to suspect that a young man who is dating his daughter is the culprit. Trying to keep the remains of his memories together Byung-su writes extensive journals. But what if his memories are actually real? Losing his grip on reality he goes head to head with the new serial killer in order to protect the only life he cares about in the world – his daughter’s. Before Dexter came around Koreans had excelled in creating charismatic killers as protagonists of the f...
Read more

We'll End Up Together - Nous Finirons Ensemble (French Movie Review)

Image
10/10 Max has a sixtieth birthday coming up. The problem is he is broke, divorced and depressed. When a group of his best friends show up at his doorstep to help him celebrate, he reluctantly agrees to spend a few days with them, but won’t explain what’s going on in his personal life. When ones darkest moments come, will friendship conquer all? Seven years after the breakout success of the film Little White Lies (Les Petits Mouchoirs) comes the long anticipated sequel and it is worth the wait. The success of WE’LL END UP TOGETHER is not in its rather predictable plot, but the chemistry on screen, the characters that we recognise ourselves and our friends in, and the amazing warm atmosphere that makes one believe there’s no problem a good dinner with friends won’t sort out.  Written and directed by much loved French actor and director  Guillaume Canet this movie feels like a welcome return home to those who have seen the original and will also welcome new viewership - t...
Read more

MSFF: DEATH IN BUENOS AIRES (MUERTE EN BUENOS AIRES)

Image
3 1/2 /5 It's year 1980 and we are in Buenos Aires. The wealthy gay man is murdered  and inspector Chaves is on the case. In order to find the culprit he has to plunge into the world of gay nightclubs, drugs and sex. But what is it with the young and handsome officer Gomes, who was the first on the crime scene, and seems to place himself with ease as a mole into a gay community? Is he trying to catch the killer? Or hiding something? As suspicions arise, Chaves is haunted by the feelings he does not understand. Will the fatal attraction to a younger man help him to solve the case, or be his undoing? First time director Natalie Meta is "spot on" on the upbeat atmosphere of the 80s without too much expense. She cleverly uses the pop tunes, over-the-top clothes and many other ingredients to recreate the time. The murder mystery is secondary, and the movie is focused on the relationship between the two men, full of innuendoes and mistrust. The very simple cinema...
Read more