FFF MOVIE REVIEW: MY KING (MON ROI)



31/2/5

Tony is recovering from a leg trauma in a rehabilitation centre on the border of the sea. But the real trauma is in her soul. Reflecting on what brought her to this point in life she is remembering the affair with handsome and unpredictable Georgio, and their turbulent relationship over the last ten years. It brought her happiness but also a lot of pain. How soon will she be back on her feet again? Will she ever?

If you like dramatic love stories you may instantly recognise the premise of the film, it had been used hundreds of times. A heroine walking down the memory lane to figure out what had gone wrong. There’s one thing, however, that makes MY KING stand out – it is a very honest film with a very real, raw feel to every scene, performance and dialogue. Intelligent but plain looking Tony seems like an odd match to charismatic and larger than life Georgio, however the sparks that are flying on screen cannot be ignored. Their affair and their relationship are believable, and over the course of the film you will learn them as intimately as if they were your close friends.
There are a lot of jokes, but also a lot of sadness. The film's episodic structure may be a turn off for many, but the director is always in control, fixing things up as soon as the narrative begins to stumble a little.

Instead of focusing on the fantastic performances from Vincent Cassel and Emmanuelle Bercot, I want to say a few words about Louis Garrel. He is only in a supporting role of Tony’s younger brother, however his presence adds realism to the story and a much needed comic relief. He is one of those actors who make anything he is in a little better.

 MY KING gives us a very unusual relationship but highlights the problems everyone can identify with. Without preaching or judgment, this is an honest portrait of a marriage and love and everything else that comes with it.

Comments

Post a Comment

Popular posts from this blog

We'll End Up Together - Nous Finirons Ensemble (French Movie Review)

Image
10/10 Max has a sixtieth birthday coming up. The problem is he is broke, divorced and depressed. When a group of his best friends show up at his doorstep to help him celebrate, he reluctantly agrees to spend a few days with them, but won’t explain what’s going on in his personal life. When ones darkest moments come, will friendship conquer all? Seven years after the breakout success of the film Little White Lies (Les Petits Mouchoirs) comes the long anticipated sequel and it is worth the wait. The success of WE’LL END UP TOGETHER is not in its rather predictable plot, but the chemistry on screen, the characters that we recognise ourselves and our friends in, and the amazing warm atmosphere that makes one believe there’s no problem a good dinner with friends won’t sort out.  Written and directed by much loved French actor and director  Guillaume Canet this movie feels like a welcome return home to those who have seen the original and will also welcome new viewership - the film c
Read more

KOREAN MOVIE REVIEW: MEMOIR OF A MURDERER

Image
8/10 Byung-su is an elderly veterinarian who has recently been diagnosed with Alzheimer’s. He has a caring daughter who does all she can to make his life easier, and a policemen friend whose name Byung-su forgets from time to time. He also goes to a poetry club (in order to keep his mind exercised) where a lonely widow makes advances at him. But there’s one thing that sets Byung-su apart from the other senior citizens of his little town – he is a serial killer.  When a new wave of killings begin Byung-su starts to suspect that a young man who is dating his daughter is the culprit. Trying to keep the remains of his memories together Byung-su writes extensive journals. But what if his memories are actually real? Losing his grip on reality he goes head to head with the new serial killer in order to protect the only life he cares about in the world – his daughter’s. Before Dexter came around Koreans had excelled in creating charismatic killers as protagonists of the films
Read more

MSFF: DEATH IN BUENOS AIRES (MUERTE EN BUENOS AIRES)

Image
3 1/2 /5 It's year 1980 and we are in Buenos Aires. The wealthy gay man is murdered  and inspector Chaves is on the case. In order to find the culprit he has to plunge into the world of gay nightclubs, drugs and sex. But what is it with the young and handsome officer Gomes, who was the first on the crime scene, and seems to place himself with ease as a mole into a gay community? Is he trying to catch the killer? Or hiding something? As suspicions arise, Chaves is haunted by the feelings he does not understand. Will the fatal attraction to a younger man help him to solve the case, or be his undoing? First time director Natalie Meta is "spot on" on the upbeat atmosphere of the 80s without too much expense. She cleverly uses the pop tunes, over-the-top clothes and many other ingredients to recreate the time. The murder mystery is secondary, and the movie is focused on the relationship between the two men, full of innuendoes and mistrust. The very simple cinema
Read more