MOVIE REVIEW: ROBOCOP (2014)
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In future the world’s crime is being fought not by man but
robots. Only USA, the world’s greatest supplier of police robots, remains
“robophobic”. OMNI CORP, the supplier of
robot technology for the world, will do anything to win the American market.
Even if this requires to make their robots more human…
When cop named Murphy is critically injured OMNICORP brings
him back to life, turning him into the weapon of propaganda to change the law
and allow robots to patrol American streets. But Murphy still loves his wife
and son. With every fibre of his remaining soul he will be clutching to the
slipping away pieces of his humanity.
It’s a recent fashion in Hollywood to entrust the remakes of
great old action films to art house directors who can give a new flavour to the
old story. Brazilian director Jose Padilha, whose most successful film Elite
Squad: The Enemy Within (have been nominated to Oscars but did not quite made
it) examines the influence of media, police and
politicians on society so it is no great surprise that he was chosen as the next ROBOCOP
director. The original ROBOCOP in its time was labeled as “FACIST MOVIE FOR
LIBERALS” by it’s own producer. The modern ROBOCOP is a less political story of
a good man trapped in an impossible circumstances and his fight for remaining human
being inside him.
The good news is that
ROBOCOP delivers on its promise of a modern remake with believable characters
and interesting conflict. But is it an entertaining film? At least the final
act of it is.
Instead of filling the
film with action the writers focused on the inner conflict of ROBOCOP, the part
that was completely missing from the original. How does a man react when he
realizes that his previous life is over and now he is nothing but a machine designed to hunt
down criminals? I do not mind a human conflict, but the structure and
functioning of this ROBOCOP’s body was over explained. We do not need to know what
vitamins he is taking, how do they put him into sleep, and what makes him such
a good soldier. Show don’t tell - this is the rule of every writer, and ROBOCOP
writers just told us too much. All the details we are given are designed to
make the technology more believable. It is annoying instead.
Forget brain surgeries
and fighting simulators. Give me something real! I missed more scenes of
Robocop bonding with his family. I wanted a least one decent car chase (ROBOCOP
has a fabulous bike, why not to put it to some use!) Give me at least one great
villain to hate!
The idea of Murphy
solving his own murder is cool, but this is a puzzle for a three
year old.
On the bright side the
new ROBOCOP is a thinking person's action movie. We do have a chance to place
ourselves in Murphy’s shoes. We don’t just sympathize, but identify with him. Gary Oldman is outstanding in the role of a good
intentioned man whose ambitions lead him too far down the dark path. Michael
Keaton is a very likable villain. What he does make perfect sense. But he is
the real robot in this story, without compassion and only dollars shining in
his eyes.
The ongoing theme of
the movie is how a living person cannot achieve great heights without putting
his soul and a heart into it, and that having a human soul is much more
important than a human body.
In the end I would like
to mention the Samuel L. Jackson cameo as a talk show pro-robot presenter. His
outbursts in the beginning , middle and the end of the film took enormous
amount of screening time and completely irrelevant to the story. Here is
something that should have ended up on the cutting floor. This would have made
for a much tighter and more focused movie.
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