Pasha's Film Reviews Etc.

10/10 Max has a sixtieth birthday coming up. The problem is he is broke, divorced and depressed. When a group of his best friends show up at his doorstep to help him celebrate, he reluctantly agrees to spend a few days with them, but won’t explain what’s going on in his personal life. When ones darkest moments come, will friendship conquer all? Seven years after the breakout success of the film Little White Lies (Les Petits Mouchoirs) comes the long anticipated sequel and it is worth the wait. The success of WE’LL END UP TOGETHER is not in its rather predictable plot, but the chemistry on screen, the characters that we recognise ourselves and our friends in, and the amazing warm atmosphere that makes one believe there’s no problem a good dinner with friends won’t sort out.  Written and directed by much loved French actor and director  Guillaume Canet this movie feels like a welcome return home to those who have seen the original and will also welcome new viewership - the film c

10/10 Bruno and Malik couldn’t be too different. Bruno is Jewish, Malik is Arab. Bruno is a loner Malik is a family man. But they are united to help children with autism. And this passion drives every day of their life. We often forget what a definition of a good person is. In THE EXTRAORDINARY it’s those who don’t look away and don’t give up when things get hard. Once again the duo Olivier Nakache and Eric Toledano (The Intouchables) wrote and directed a film about real people standing up to great hardships, and they’ve done it with a lot of heart, humour and no preaching.  The film’s first shot could be one from a thriller - a young girl is running from her pursuers through the city steers, only to be caught and drugged into a van, which quickly drives away. This is a common theme of the film - a fight with preconceptions. What seems like a kidnapping is actually a rescue mission. Nakache and Toledano created a perfect style of story telling - through small character story arc

6/10 Alice is a philosopher who is invited to work for  the Mayor of Lyon.  Paul, the Mayor has reached the time in his life where he is suffering from a lack of new ideas, both political and of any other kind. Alice, unknowingly to herself is also having a crisis of self belief. Can these two very different people complete each other? What are the defining characteristics of a real friendship? ALICE AND THE MAYOR is a slice of life gentle sort of film that touches lightly upon serious problems. There are no higher stakes and dramatic turns. But it’s a timely reminder that those are often not needed to have a turmoil in one’s soul. The main focus of the film is in dialogue. It is swift, precise, somewhat intellectual but never snobbish.  There are many characters, some are memorable even though they fleetingly enter and leave the scene. Fabrice Luchini, as the mayor, is warm, with not being overly friendly, and stern in a way that comes out as gentle. It’s a complex character

8/10 Commissar Yacoub Daoud knows his multicultural community. In fact he was one of those migrants himself once upon a time, but now calls northern France home. We follow him through his busy days on the job as he investigates a disappearance, an arson and a murder with some unexpected results. Director Arnaud Desplechin does slightly provocative serious dramas with a lot of dialogue. He had had mixed results over the years, with his film Ismael’s Ghosts being a confusing mess according to some. Here, however the artistry gives way to an intelligent cop movie, where  the realism hits a sour spot. While OH MERCY! feels fresh, there’s nothing innovative about its approach. This is how they made procedural police films in the 80’s, only instead of Roschdy Zem you would have gotten Lino Ventura. Talking about Roschdy Zem, this is one of the most versatile modern French actors, who has a unique presence in action, comedy or serious drama. He and Lea Seydoux, who plays one of the

7/10 Pierre takes over his fathers farm at the age of twenty five. He loves the land and his family, wife and two children. They are a happy tightly knit unit and it seems there’s no hardship they cannot overcome. But as the debts mount and the business spirals out of control, how long will it be until Pierre breaks under the pressure? IN THE NAME OF THR LAND is an unflinching look at what it is to be a farmer in France. The beauty, the isolation, the rewarding hard work and the financial reward that doesn’t always match the effort that was put in. The best thing about the film is the acting. Guillaume Canet deserves an Oscar for his portrayal of a good man in crisis.  Eduardo Bergeron is a documentary director and the film at times feels as such. You almost expect a voice over commenting on what’s going on. Bergeron does not use the shaky camera move or first person shots to make the movie feel real. The tension and drama here comes solely through the performances and suppor